Exhibitions
Current Exhibitions
Upcoming Exhibitions
Past Exhibitions
Programmes
FX Harsono,
Rewriting The Erased,

2009, Video Performance, Installation with 5-channel Video, Artist Collection.
FX Harsono: Testimonies
4 March 2010 to 9 May 2010
Singapore Art Museum

FX Harsono: Testimonies presents a survey of artwork by one of Indonesia’s foremost contemporary artists. FX Harsono played a pivotal role in the development of contemporary art in Indonesia, and continues to be actively involved in the art scene up till today. This exhibition traces the shifts in the artist’s strategies of representation: from the ground-breaking conceptual works that re-defined art making during the Gerakan Seni Rupa Baru Movement (New Art Movement) of the 1970s; to the politically-charged installations of the 1990s; to the artist’s recent investigations into issues of self, identity and personal histories. Included in this survey are seminal works drawn from the Singapore Art Museum’s permanent collection, as well as from other art institutions and private collections, such as Paling Top (1975), Voice Without A Voice (1994) and Republik Indochaos (1998).

Through these various ‘testimonies’, the exhibition offers a glimpse of the political, social and cultural changes that have shaped Indonesian society, and the artist’s constant re-evaluation and re-positioning of his role throughout this recent history.

 

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Geraldine Javier
Self Portrait (Blue Moon), 2008
Oil on Canvas
213 x 152 cm
Quimbo Brothers collection
A Story, Twice Told
31 January 2010 to 14 March 2010
Singapore Art Museum
A Story, Twice Told is a selection of the popular recent exhibition, Thrice Upon A Time, which looked at the rich tradition of storytelling in the Phillippines.

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David Cortez Medalla,
My Sister at the Sewing Machine,
1956, Casein and sand on paper w/strips of adhesive and scotch tapes, 92 x 61cm, Ateneo Art Gallery collection.
In the Eye of Modernity: Philippine Neo-Realist Masterworks from the Ateneo Art Gallery
14 November 2009 to 14 March 2010
Singapore Art Museum
In the Eye of Modernity presents the Neo-Realist Masterworks from the renowned Ateneo Art Gallery in Philippines. The landmark exhibition revolves around what many art historians consider to be one of the most important junctures in the development of modern visual art in the Philippines, the so-called Philippine Art Gallery years from 1950 to 1964. The show traces the development of Neo-Realism in Philippines, notably, artists in the 1950s to mid-60s who adopted a modernist approach to ‘re-presentation’, through semi-fi gurative distortion and abstraction. It presents major works from post-war modernists such as Arturo Luz, Vicente Manasala, Jose Joya, HR Ocampo and Cesar Legaspi.

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Agus Suwage,
Cindera Mata A La Indonesia
(Souvenir from Indonesia),
1996, Mixed media, 81 x 66 cm (each, series of six), Singapore Art Museum Collection.
Classic Contemporary: Contemporary Southeast Asian Art from the Singapore Art Museum Collection
29 January 2010 to 2 May 2010
Singapore Art Museum at 8Q

Classic Contemporary shines the spotlight on Singapore Art Museum's most iconic contemporary artworks in its collection. By playfully asking what makes a work of art “classic” or “contemporary” – or “classic contemporary” – this accessible and quirky exhibition aims to introduce new audiences to the ideas and art forms of contemporary art. A stellar cast of painting, sculpture, video, photography, performance art from across Southeast Asia are brought together and given the red-carpet treatment, and the whole of the SAM 8Q building is transformed into a dramatic stage for these stars and icons. Yet beneath the glamour, many of the artworks also probe and prod serious issues – often asking critical and challenging questions about society, nation and the history of art itself.

Since its inception in 1996, SAM has focused on collecting the works of artists practicing in the region, and many of these once-emerging artists have since established notable achievements on regional and international platforms. This exhibition marks the start of SAM's new contemporary art programming centred on enabling artistic development through the creation of exhibition and programming platforms, as well as growing audiences for contemporary art. Classic Contemporary offers an opportunity to revisit major works by Suzann Victor, Matthew Ngui, Simryn Gill, Redza Piyadasa, Jim Supangkat, Nindityo Adipurnomo, Agnes Arellano, Agus Suwage, Natee Utarit and Montien Boonma, among others. A full programme of curatorial lectures, artist presentations, moving image screenings and performances complete the classic contemporary experience

 

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Wu Guanzhong, 
Kites Seen Again 
又见风筝
2003, 
Oil on canvas, 61 x 46cm, 
National Heritage Board collection
Seeing the Kites Again
又见风筝:吴冠中捐赠作品展
1 January 2010 to 14 December 2010
Singapore Art Museum
In 2008, Chinese artist Wu Guanzhong donated 113 of his important works to the National Heritage Board, Singapore. This is the highest-value donation ever given to a public museum institution in Singapore. An internationally eminent artist, Wu is best known for marrying the distinct art form of traditional Chinese ink with modern concepts in Western art. Recently published as a seven-volume anthology, Wu’s writings provide deep insights into his aesthetics and art practice. 

Showcasing 22 paintings from the donation, Seeing the Kites Again is an exhibition inspired by Wu’s metaphor of the kite. Since the 1960s, Wu Guanzhong has produced a great number of works, based on his personal recollections. These works are centred around his home in the South of China, his childhood, as well as the villages and towns he has been to. His interest in life and his attention to ordinary scenes, infuse his art with an aesthetic quality that demonstrates a return to simplicity. 

This exhibition is an incubator project by the National Art Gallery, Singapore, held on the premises of the Singapore Art Museum.


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Wu Peng Seng,
Casting the Net,
1950, Gelatin silverprint, 46 x 40.5cm, National Heritage Board collection.
Earth and Water: Mapping Art in Southeast Asia
19 April 2009 to 28 March 2010
Singapore Art Museum
Southeast Asia comprises two broad geographical regions - the Mainland and the Archipelago. The former refers to Laos, Vietnam, Thailand, Cambodia, Myanmar and Peninsular Malaysia. The latter is made up of the island arcs and archipelagos of the Philippines, Indonesia, Brunei, Singapore and West Malaysia. The diverse region of Southeast Asia is home to approximately 500 million people. The history and society of Southeast Asia have been shaped by a confluence of geographical, historical and cultural forces. With exhibits drawn from the Singapore Art Museum’s permanent collection, the theme of 'Earth and Water' conjoins two of the basic elements of life with the Mainland and the Archipelago. These works by the region's best known artists further offer multiple manifestations of life, society and traditions in Southeast Asia.

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